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The Mummy’s Foot – Theophile Gautier (1811—1872)
Thophile Gautier was born at Tarbes in the south of France in 1811. He came to Paris as an infant. In 1830 he published his first volume of poems. He was, with Victor Hugo and others, one of the prominent initiators of the so-called Romantic Movement in French literature. His finest novel, Mile, de Maupin, appeared in 1835.

For many years he wrote art, dramatic, and literary criticisms, poems, stories, ballets and pantomimes, and a number of charming impres¬sionistic travel books. Gautier is one of the most accomplished poets of the external and visible world: his style is vivid, jewelled, and sensuous. His short stories are exotic, highly polished literary exercises, though some of them, like The Mummy’s Foot, are intrinsically fascinating for their plot and atmosphere.

The Mummy’s Foot – The present version, translated by Lafcadio Hearn, is reprinted, by permission of the publisher, from the volume, One of Cleopatra’s Nights, published by Brentano’s.
The Mummy’s Foot
I had entered, in an idle mood, the shop of one of those curiosity- venders, who are called marchands de bric-a-brac in that Parisian argot which is so perfectly unintelligible elsewhere in France.

You have doubtless glanced occasionally through the windows of some of these shops, which have become so numerous now that it is fashionable to buy antiquated furniture, and that every petty stock¬broker thinks he must have his chambre au moyen age.

There is one thing there which clings alike to the shop of the dealer in old iron, the wareroom of the tapestry-maker, the laboratory of the chemist, and the studio of the painter:—in all those gloomy dens where a furtive daylight filters in through the window-shutters, the most ma¬nifestly ancient thing is dust;—the cobwebs are more authentic than the guimp laces; and the old pear-tree furniture on exhibition is actually younger than the mahogany which arrived but yesterday from America.

The Mummy`s Foot part 11

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Pharaoh opened wide his great eyes of glass in astonishment at my witty request.“What country do you come from? and what is your age?”“I am a Frenchman; and I am twenty-seven years old, venerable...

The Mummy`s Foot part 10

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The Princess Hermonthis still held my hand, and graciously saluted the mummies of her acquaintance.My eyes became accustomed to the dim twilight, and objects became discernible.I beheld the kings of the subterranean races seated...

The Mummy`s Foot part 9

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I thought this proposition natural enough. I arrayed myself in a dressing-gown of large-flowered pattern, which lent me a very Pharao¬nic aspect; hurriedly put on a pair of Turkish slippers, and informed the Princess...

The Mummy`s Foot part 8

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“Well, my dear little foot, you always flee from me; yet I always took good care of you. I bathed you with perfumed water in a bowl of alabaster; I smoothed your heel with...

The Mummy`s Foot part 7

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Her arms, slender and spindle-shaped, like those of very young girls, were encircled by a peculiar kind of metal bands and bracelets of glass beads; her hair was all twisted into little cords; and...

The Mummy`s Foot part 6

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I peered through my room with a feeling of expectation which I saw nothing to justify: every article of furniture was in its proper place; the lamp, softly shaded by its globe of ground...

The Mummy`s Foot part 5

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I went home, delighted with my acquisition.With the idea of putting it to profitable use as soon as possible, I placed the foot of the divine Princess Hermonthis upon a heap of papers scribbled...

The Mummy`s Foot part 4

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“Ha, ha!—you want the foot of the Princess Hermonthis,”—ex¬claimed the merchant, with a strange giggle, fixing his owlish eyes upon me—“ha, ha, ha!—for a paper-weight!—an original idea!—artistic idea! Old Pharaoh would certainly have been...

The Mummy`s Foot part 3

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“No; I have quite enough weapons and instruments of carnage;—I want a small figure, something which will suit me as a paper-weight; for I cannot endure those trumpery bronzes which the stationers sell, and...

The Mummy`s Foot part 2

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Upon the denticulated shelves of several sideboards glittered im¬mense Japanese dishes with red and blue designs relieved by gilded hatching; side by side with enameled works by Bernard Palissy, rep¬resenting serpents, frogs, and lizards...

Turkish Tea

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